 | QUILTING MAGAZINE
ON LINE
Linda Cantrell: appliqué, perfection and humor
When I moved to North Carolina some years ago, people kept asking if I had seen Linda Cantrell's work. Pretty soon, I saw one of her quilts in a show, and boy, what a treat! I felt that I had taken a plunge into one of those
"Where is Waldo" books, except that the picture was on the wall and was made
out of fabrics: a scene with dozens of little people, no more than an inch
or so in height but yet each with a very definite personality. The longer I
looked, the more details and funny, unexpected things kept popping up. This
was not only a masterpiece in hand appliqué, but also a lesson in humor born
of the observation of familiar scenes.
Year after year, I have admired
Linda's creations, a whimsical account of historical or current events and
traditions. There is also a more "serious" side to her work besides the funny
"little people" quilts: incredibly intricate floral applique quilts she calls
" tapestries". The workmanship and sense of color in all of Linda's quilts
is unbelievable. I find her to be one of the most friendly and funny persons
I know. Linda shares her applique methods and her humor in workshops and
lectures all over the country. But right here, you can enter her wonderful
world and find out a little more about her and how she works.
Here a some of her answers to my questions:
Q: How long have you been doing the type of work you do now?
LC: I actually started with pictorial quilts, well, my second quilt was a
pictorial applique quilt. My background is as a painter so it seems logical
that I would be moving in that direction.
Q: How did you learn how to appliqué?
LC: It was mostly trial and error. Lots of trials and errors! Finally I
realized after more errors than necessary that I needed a class and took one.
But I consider myself self taught.
Q: Did you start with the floral designs or with designs including little
people?
LC: I stared with landscapes. But then, they were kind of bare, so I added
the people. And then, people were so fun, that I started adding more and more
people.
Q: Why did you start making the tapestry quilts?
LC: Someone I know asked me when I was going to stop making the little
squatty people and grow. So, I just wanted to prove that I could do something
else and started making the tapestry quilts. Now, I try to alternate making
what I call a "pretty" quilt - the tapestry quilts- and then a little people
quilt which I have fun making. To me, the tapestry quilts are more boring to
make, I want to make the people quilts!
Q: What kind of applique do you teach?
LC: I teach the floral appliqué because in the process students can learn the
methods that I use to make the little people. The floral designs have more
different shapes so students learn more. If they decide to get into making
little people, they have learnt the basics from the floral class.
Q: How did the miniature tapestry quilt come about?
LC: Stupidity, that's what it was! Well, the very first large tapestry I did
was with the dark background that I was not happy with. Then I did the one
with a light background and I liked it better. But I thought it would be
better with a red border, so I thought I would make a miniature version and
put the red borders on it, thought it would take only about two weeks, and
then I would be finished and would not have to do this again. Well, it took
me eight months! I really just wanted to see how it would look with a red
border. And now, I think the border could have been a little wider…but there
is no way I am doing this again! (Click here to see both versions of the tapestry quilt!)
Q: Where do you get your inspiration for the little people?
LC: Well, they just come to me. For example, I am working on an apartment
complex quilt now. So each little apartment has a balcony and the people are
in their little rooms. The people just come to me and pretty soon I know who
they are and I give them what they need in their room. I have this little
guy in his recliner. I know who he is, he is a sports fan, he is watching
football, and as I am working on him, I know what I need to add in his room.
Q: Do you usually have everything planned out?
LC: No, I have nothing drawn, except when it really needs to fit together,
like the Christmas house for example. That one needed a drawing. Normally, I
start with an idea but I don't know where it is taking me. And things change
from the original idea as I progress.
Q: Do you ever use a sewing machine, for applique or quilting?
LC: No, I don't. The only time I use the machine is to join the blocks and
sew the borders and binding on. The machine makes me nervous.
For more information about Linda's work or information about her workshops
and lectures, please e-mail her at lindacanmail@juno.com.
To contact Martine about classes or
lectures, write to Housefiber@hotmail.com
home | gallery | fabrics | embellishments and ideas | general | links | workshops
Page design by Carolie Bartol
This Ring of Quilts is owned by Martine House
.jpg)
[Previous]
[Random]
[Next]
[Skip Next]
[Next 5]
Want to Join?Click Here
| 

|